Edited by Peggy Gale /
Contents
- ‘An Open Field: Experimental Media’ [Editor's Introduction]
- ‘Cultural Engineering’, Tom Sherman
- ‘Medium Practices’, Nicky Hamlyn
- ‘Excerpts from the Strategic Reality Dictionary’, Konrad Becker
- ‘On Medium Specificity’, Michael Snow
- ‘Words at Issue’, Christina Battle
- ‘The Time of the Audiovisual and Multimedia Archive’ / ‘Le Temps des Archives Audiovisuelles et Multimédiatiques’, Jean Gagnon
- ‘The Cinematographic in Museum Spaces’, Christopher Eamon
- ‘Enter the Gallery’, Peter Ride
- ‘Flies in the Ointment’, Elle Flanders
- ‘Yvonne Rainer’s Where’s the Passion?‘, Peggy Gale
- ‘Notes on Attention, Projection, Foreplay and the Second Encounter’, Mike Hoolboom
- ‘Reporting from “The Field”: Experimenta India’, Shai Heredia
- ‘A moving image that can remember its past lives…’, David Teh
- ‘The Second Encounter: Notes on the Problematic of Art and Political Practices’, Dont Rhine
- ‘Whose territory? Indians 2.0′, Steven Loft
- ‘Capture and Loss: Memory, Media, Archive’, Vera Frenkel
Portfolios
- *Corpus Callosum, Michael Snow
- Various Projects, David Rokeby
- I Am Micro, Shai Heredia and Shumona Goel
- Splendour in the Grass, Christine Davis
Column
‘Chris Marker’s Only Music Video (Almost, Still)’, Ian Balfour
Reviews
- Canadian Art in the 1960s and 1970s through the Lens of Coach House Press, Art Gallery of Ontario, Caoimhe Morgan-Feir
- Un-home-ly, Oakville Galleries, Laura DiMarco
- Yinka Shonibare: Earth, Wind, Fire, and Water, The Israel Museum, L. Sasha Gora
- The Cruel Radiance: Photography and Political Violence by Susie Linfield, Sara L. Martel
DVD
Yvonne Rainer, Where’s the Passion?
