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44: Experimental Media

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| Fall 2011 |
Edited by Peggy Gale /


  • ‘An Open Field: Experimental Media’ [Editor’s Introduction]
  • ‘Cultural Engineering’, Tom Sherman
  • ‘Medium Practices’, Nicky Hamlyn
  • ‘Excerpts from the Strategic Reality Dictionary’, Konrad Becker
  • ‘On Medium Specificity’, Michael Snow
  • ‘Words at Issue’, Christina Battle
  • ‘The Time of the Audiovisual and Multimedia Archive’ / ‘Le Temps des Archives Audiovisuelles et Multimédiatiques’, Jean Gagnon
  • ‘The Cinematographic in Museum Spaces’, Christopher Eamon
  • ‘Enter the Gallery’, Peter Ride
  • ‘Flies in the Ointment’, Elle Flanders
  • ‘Yvonne Rainer’s Where’s the Passion?‘, Peggy Gale
  • ‘Notes on Attention, Projection, Foreplay and the Second Encounter’, Mike Hoolboom
  • ‘Reporting from “The Field”: Experimenta India’, Shai Heredia
  • ‘A moving image that can remember its past lives…’, David Teh
  • ‘The Second Encounter: Notes on the Problematic of Art and Political Practices’, Dont Rhine
  • ‘Whose territory? Indians 2.0’, Steven Loft
  • ‘Capture and Loss: Memory, Media, Archive’, Vera Frenkel


  • *Corpus Callosum, Michael Snow
  • Various Projects, David Rokeby
  • I Am Micro, Shai Heredia and Shumona Goel
  • Splendour in the Grass, Christine Davis


‘Chris Marker’s Only Music Video (Almost, Still)’, Ian Balfour


  • Canadian Art in the 1960s and 1970s through the Lens of Coach House Press, Art Gallery of Ontario, Caoimhe Morgan-Feir
  • Un-home-ly, Oakville Galleries, Laura DiMarco
  • Yinka Shonibare: Earth, Wind, Fire, and Water, The Israel Museum,  L. Sasha Gora
  • The Cruel Radiance: Photography and Political Violence by Susie Linfield, Sara L. Martel


Yvonne Rainer, Where’s the Passion?

$15 | 192 pages + DVD

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